Jareena Hashmi is an Indian-American artist who was born in Aligarh, India, in 1937. She is renowned for her wide spectrum of works, which range from minimalist drawings to printmaking and sculpture and explore ideas of home, distance, and routes. With a degree in mathematics under her belt from her numerous travels, Jareena is drawn to the geometrical principles and structural simplicity displayed in her works of art. She includes Islamic decorative patterns because she is an Indian Muslim woman, especially the regular geometry used in Islamic construction.
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She continues to be one of the incredibly few female painters who are listed with illustrious Indian artists like M.F. Husain, V.S. Gaitonde, Tyeb Mehta, and Nasreen Mohamedi. Her artistic career flourished when she lived in Bangkok, Paris, and Bonn with her husband, an Indian Foreign duty officer, after being married and leaving Aligarh during her husband’s diplomatic duty in 1958. Jareena was one of several Indian painters who worked and lived in Paris in the 1960s and studied under Stanley William Hayter at Atelier 17. From 1968 onward, she set out on a six-year solitary trip in London. She relocated from Delhi to Tokyo in 1974, working in Toshio Yoshida’s studio there, before finally settling in the US the following year. Jareena actively participated in the city’s developing feminist art movement while building a home and a network of friends. She supported her artistic endeavours by attending universities all over the nation, returning to India, fighting for the right to live in her apartment, participating in exhibitions in India, Pakistan, and New York, and continuing to visit her family even after moving to the newly formed nation of Pakistan in 1959. She visits them even though they might not call. Her complex relationships with Muslim minority reflect her background as a Muslim Indian lady with links to both her own country and her adopted one, highlighting the friction between the two.
The artist relied on a network of education and support in America for more than three decades to support both himself and his profession. While living in the US, Zarina presented solo exhibitions in Delhi, Bombay and Karachi in the 1970s and 1980s. She also maintained relationships with gallery owners, artists and friends in these places, some of which lasted more than 40 years. Even before representing India in her pavilion at the Venice Biennale, Zarina had become an inspiration to many artists from South East Asia and the Middle East. Throughout her career, Zarina experimented with abstraction and minimalism.
Jareena has had a long-standing relationship with paper and all of its potential, which has influenced her artistic expression. “Letters from Home,” her most intimate and renowned piece of art, is a collection of six unreleased letters that her sister Rani wrote to Jareena. These letters were shared with her by Rani many years later when she paid her a visit. The letters discussed their parents’ deaths, the sale of Rani’s house, her tremendous grief after her children left, and how much Jareena’s absence was felt during those trying times.
Zarina now spends the majority of her time in London with her niece Saima and nephew Imran due to her deteriorating health. She especially enjoys spending time with her granddaughter Shania.
As of my last update in September 2021, there is no widely known or prominent public figure by the name of Jareena Hashmi. It’s possible that Jareena Hashmi might be a private individual or not a well-known personality on a global scale.
If Jareena Hashmi gained public attention or became notable after my last update, I wouldn’t have information about her or any developments related to her beyond that point.
If you have any specific details or context about Jareena Hashmi that you’d like to know more about, please provide additional information, and I’ll do my best to assist you based on the knowledge available up to September 2021.
